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Former U2 Manager Paul McGuinness On The Cost Of Their 360° Tour

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Former U2 manager Paul McGuinness shared stories from his illustrious career during a wide-ranging interview at last week’s International Live Music Conference (ILMC).

McGuinness, who was grilled by raconteur Ed Bicknell of Damage Management for ILMC’s traditional Breakfast Meeting, recalled U2’s ground-breaking 360° tour of 2009-11, which remains the highest-grossing tour of all time ($736.42 million).

“The name of that tour was my little joke in a way because the record companies at that time were pursuing these immoral [360°] deals where having failed to exploit digital distribution, the only thing they could think of to make more money was to take it off the artists who were going out doing gigs. It was shameful, I thought,” said McGuinness.

“So when we put together that production – which was playing in the round in stadiums – it was extraordinarily expensive to do. We were $30-40 million into pre-production before the tour started. That tour grossed three quarters of a billion – 110 shows – the net of course was rather less.”

Famous for its four-legged structure dubbed The Claw, 360° was attended by 7.2m people across the globe. Elaborating on the astonishing scale of the presentation, McGuinness revealed that days off effectively cost $300,000. “There were 200 trucks. There were 400 people travelling – but 200 of them were drivers,” he said. “It was great fun in a way but it was a bit of strain waking up each day thinking, Oh god, even though we’re not playing today, we’re spending $300,000.”

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This Rock Band Is Literally A Rock Band

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Neil Mendoza created this rock band/machine, which uses a number of mechanisms which make music using rocks. This is the next stage of industrial music.

Tom Petty and Garry Shandling Have a Great Talk About Life

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I still really can’t believe that both Tom Petty and Garry Shandling are gone, both unexpectedly passing away at the age 66. I stumbled across this clip, which lead to Petty’s tribute in Billboard to his friend back in 2016. It reveals the close friendship they had, and I hope they’re making each other laugh up there.

As the man behind the incredibly influential TV series The Larry Sanders Show and It’s Garry Shandling’s Show, Shandling made an enormous impression upon many of the musicians he crossed paths with. One such artist is Tom Petty, who worked with him multiple times and shares his thoughts on Shandling with Billboard.

I’ve known Garry for a long time. We go back to the mid-80’s. I just want people to remember what great work he gave us. The Larry Sanders Show just stands as some of the best TV work ever done. He was always quiet about his talent and just a really decent guy.

We first met when my daughter was acting. At that time and she was down reading for another show, and they asked her if I would be interested in coming on Garry’s first show, It’s Garry Shandling’s Show. She told them that I loved that show. So Garry phoned me and we talked a while. I wound up going on his show four or five times. And it was lots of fun and we remained friends from then on out.

We had a very strong friendship: we kept in touch all that time. You know, he’d come to our shows, and he’d hang out with us. I went to his house many times. And he would come to my house. It was a comfortable friendship where if he came over I didn’t feel like I had to entertain him, and it was the same way back.

He had an incredibly original talent, and as a man I can’t say enough about him.

He was more than a showbiz acquaintance to me, he was a dear friend, and I will miss him.

Half Of Us Check Facebook Several Times A Day

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Analysis by AudienceProject has revealed the social media apps which are used most often. Top of the list is Facebook, with 53 percent of the 1,757 U.S. respondents saying that they access the mobile app several times a day – pretty far ahead of its competitors. In second place is Facebook-owned messaging service WhatsApp with 44 percent. The rivalry between Snapchat and Instagram is too close to call in this regard, with Snap’s app claiming a slight edge.

Infographic: Always On...Facebook | Statista You will find more statistics at Statista

Stranger Things Season 2 Promo Pays Tribute To 1984

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You thought 1983 was strange…

Tom Petty In 2000 on His Problem With Radio

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What’s your theory behind what’s happening with radio today, why the masses aren’t interested in rock ’n’ roll?

Well, I don’t think that [the music business] is really exposing it to a new audience. It’s very bizarre. I think it has a lot to do with how corporate the people running the music industry have become—they’re not music lovers. I remember a time when the people running the record companies were people who came up through loving music, and that’s how they got involved in it. And now, it’s people that don’t even listen to it or give a f—. That attitude is never going to bring about great art. It’s all about money—how much dough you can bring in. I mean, look at the movies—that’s all about how much dough you can bring in that first week. And if you do, then you’ve got a viable thing that people are going to hear about. If you don’t, no one’s ever going to know it even happened. So the music business has become very much like that. Echo was a top ten record the first week out, and people were amazed that a rock ’n’ roll record had come into the top ten. But it didn’t have the support of radio, and another thing that didn’t help was that I didn’t make a video.

You had so much success with that medium in the past. How come you decided not to?

I just couldn’t do it. I just can’t stomach it. It’s just too silly now. I think it’s a dead art form [laughs]. I don’t think there’s anywhere to go with it. If they would allow us to give them one of us performing. . . but they’ll even tell you, “We won’t play it unless it’s from the studio.’’ I felt kind of bad about it. I take a lot of flack because I didn’t promote that record, because I didn’t get out there and do the three thousand interviews that they expect of you—they really do expect hundreds and hundreds of interviews and sound-bite TV shows and things that I just can’t. . . if I do that, I fall to pieces—and it’s just not worth it to suddenly feel like I’m a pitchman. And I don’t even know what I’m saying after a while, I’ve said it so much. I don’t mind doing a few interviews with someone who’s intelligent, but I can’t go out and spend more time hawking the product than I did making it. These new artists are completely content to do all the photo shoots, videos, and interviews. I’m just not. . . my brain is too delicate. Maybe it’s from too many years of having it rattled around, but I just don’t want to do anything that I can’t feel like I’m doing honestly. It’s caused me to retreat a great deal from the whole music business.

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You Can Now Sleep In The Bed John Lennon and Yoko Ono Had Their Montreal “Bed-In”

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The famous John Lennon and Yoko Ono suite at Fairmont The Queen Elizabeth in Montreal is now available for bookings. It is the site of the 1969 “bed-in for peace”, where the song “Give Peace a Chance” was composed and recorded. This suite has been completely reimagined with a virtual reality experience and plenty of in-room surprises. The living room area recreates the famous bed-in. A separate bedroom, dining room area with kitchenette, two oversized bathrooms and free standing bath complete the suite. This legendary hotel suite can accommodate up to four people.[contact-form][contact-field label=”Name” type=”name” required=”true” /][contact-field label=”Email” type=”email” required=”true” /][contact-field label=”Website” type=”url” /][contact-field label=”Message” type=”textarea” /][/contact-form]

Paul McCartney Re-Releases 8 More Albums On CD and LP On November 17

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Paul McCartney’s critically acclaimed and multiple Grammy Award-winning Archive Collection will offer fans another chance to complete their collections on November 17, 2017. That date will see the reissues of the first eight Archive Collection titles in affordable single CD digipak and 180gram black vinyl single LP formats—as well as limited edition 180gram color vinyl pressings. All vinyl LPs in the Archive Collection will feature a download card and fully restored artwork. The titles and corresponding limited edition vinyl colors are as follows:
Paul McCartney: McCartney – RED
Paul McCartney: McCartney II – CLEAR
Paul McCartney: Tug Of War – BLUE
Paul McCartney: Pipes Of Peace – SILVER
Paul and Linda McCartney: Ram – YELLOW
Paul McCartney and Wings: Band On The Run – WHITE
Wings: Venus And Mars – RED & YELLOW
Wings: At The Speed Of Sound – ORANGE

The Paul McCartney Archive Collection debuted with the November 2, 2010 re-release of Paul McCartney & Wings’ 1973 milestone Band on the Run, which won the 2010 Grammy® Award for Best Historical Album, while the Archive Collection’s Deluxe Edition Box Set of the 1976 classic Wings Over America took the 2013 Grammy® for Best Boxed or Special Limited Edition Package. The most recent installment was this year’s reissue of Paul’s eighth studio album Flowers In The Dirt, which ROLLING STONE called “spectacular…  an extraordinary document,” and the OBSERVER hailed as “perhaps the greatest record to emerge from the world of AOR in 1989… an absolute pleasure to rediscover today.”

Every release in the ongoing Paul McCartney Archive Collection is supervised by Paul McCartney himself, who oversees all aspects of each and every title from remastering to the curation of lost tracks, outtakes, artwork, photographs and video from his personal vaults, and much more. The result is one of the most ambitious and personal undertakings of its kind, one that encompasses more than 40 years of cherished, classic material from the most successful songwriter and recording artist in music history.

This Is SO Clever: The Academic Uses Facebook Live As A Loop Pedal

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In today’s “Every band is kicking themselves wishing they thought of this first,” a band called The Academic cleverly took advantage of the few seconds of broadcast delay in Facebook Live to construct a loop sampler out of video, so that at any given moment, each member of the band is performing with each other in the past.

We rearranged each instrument on “Bear Claws” to fit Facebook Live’s delay, with each loop getting more complex, adding instruments, rhythms, and melodies. Additionally, by projecting the video live from a soundstage we created an infinite tunnel consisting of all the previously recorded loops.

Call for Submissions: Hometown Hockey 2017

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The Rogers Hometown Hockey Tour is working with Alberta Music and Music Ontario on the local musical component of its upcoming winter event, which will roll into communities across Canada this season with a weekend of free outdoor hockey festivities for all ages. Each tour stop is full of activities, prizes, giveaways, and live music from local bands culminating in an outdoor viewing party of an NHL game broadcast live every Sunday on Sportsnet and Sportsnet NOW. Ron MacLean and Tara Slone host live on site from the Sportsnet Mobile Studio.

Performances must be family-friendly in language and content. We welcome submissions from high energy Alberta bands or solo artists with full-band accompaniment who are prepared to perform mostly original music (some covers are acceptable) for an outdoor audience. Performances will be on a heated stage.

  • Bands must be able to play up to three (3) sets, 30-45 minutes in length. Number of sets for each band to be determined by organizer after booking.
  • Light catering will be provided, as well as a green room.
  • Backline is provided, and bands are encouraged to use it, as cold weather can be hard on gear.

Artists will be compensated for their performance. The final performer selection will rest with The Rogers Hometown Hockey Tour.

To be considered for a performance, you must:

  • Be available to perform on at least one of the following:
    December 16/17 – Airdrie
    December 30/31 – Spruce Grove
    February 3/4 – Lacombe
    February 10/11 – Canmore
  • Be prepared to perform mostly original music that is family-friendly and high-energy
  • Be an Alberta Music member and current Alberta resident

Preference will be given to artists who:
– Appeal to a wide audience
– Have cultivated a local audience and local media coverage
– Have a track record of strong live performances
– Have a strong social media presence

To submit:

Fill out the submission form below.

Submissions will be evaluated by a jury based on:
– Music
– Professional history
– Demonstrated audience following

For more info, please contact info@albertamusic.org

***SUBMISSION DEADLINE:
Monday, October 2, by 12pm for the Airdrie and Spruce Grove events,
and Thursday, November 2 by 12pm for the Lacombe and Canmore events.

MusicOntario is pleased to assist in the search for local artists and bands to perform at each tour stop! Are you from one of the following cities in Ontario or from a community nearby? Rogers wants you to represent your hometown spirit during these weekend-long mini festivals across the province:

St. Thomas: November 18-19 (Deadline to apply: October 27, 2017)
Oakville: November 25-26 (Deadline to apply: November 3, 2017)
Belleville: February 24-25 (Deadline to apply: January 12, 2018)
Markham: March 3-4 (Deadline to apply: February 3, 2018)
Brampton: March 10-11 (Deadline to apply: February 3, 2018)
Cornwall: March 17-18 (Deadline to apply: March 3, 2018)

Share with your friends, peers, family and colleagues, and apply here. This is a paid opportunity.
Submit Here