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Instagram switching its feed from chronological to best posts first, just like Facebook and Twitter

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You may be surprised to learn that people miss on average 70 percent of their feeds on Instagram. As the social media network has grown, it’s become harder to keep up with all the photos and videos people share. This means you often don’t see the posts you might care about the most.

To improve your experience, Instagram announced your feed will soon be ordered to show the moments they believe you will care about the most. The order of photos and videos in your feed will be based on the likelihood you’ll be interested in the content, your relationship with the person posting and the timeliness of the post. Quite simply, they’re focusing on optimizing the order — all the posts will still be there, just in a different order.

If your favorite musician shares a video from last night’s concert, it will be waiting for you when you wake up, no matter how many accounts you follow or what time zone you live in. And when your best friend posts a photo of her new puppy, you won’t miss it. This is essentially how Facebook’s feed works, and how Twitter recently reconfigured its feed to work.

As Techcrunch posted, there will be a change in the feel that will take time to get used to. “At the same time, remixing the feed will make Instagram less useful as a real-time content feed because the most recent posts won’t necessarily be at the top. Users will have to worry about making their posts good enough to be chosen by the algorithm or their posts could be de-prioritized. And brands might lose the reach of a previously reliable marketing channel, the same way they did with Facebook Pages.”

By the way, you can follow me on Instagram here.

The Trailer For Tim Burton’s “Miss Peregrine’s Home for Peculiar Children” Is Here

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From visionary director Tim Burton, and based upon the best-selling novel, comes an unforgettable motion picture experience. When Jake discovers clues to a mystery that spans alternate realities and times, he uncovers a secret refuge known as Miss Peregrine’s Home for Peculiar Children. As he learns about the residents and their unusual abilities, Jake realizes that safety is an illusion, and danger lurks in the form of powerful, hidden enemies. Jake must figure out who is real, who can be trusted, and who he really is.

Four Sets of Twins Perform An Elaborate Time Travel Prank On The Subway

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For Improv Everywhere’s latest mission, they staged an elaborate time travel prank on a New York City subway car with four sets of identical twins. A man enters a subway car and announces he is raising money to complete his time machine. At the next stop, his future self enters to try to talk him out of it. More and more time travelers convene on the subway car as the train rolls along, surprising the random commuters caught up in the middle.

Nina Simone’s First Televised Performance Of “I Loves You Porgy”

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Nina Simone has been in the news recently, with traditional and social media slamming the casting decision of Zoe Saldana in the Simone biopic. Simone’s daughter also criticizes personal vilification of the actor for donning dark makeup and a prosthetic nose to play legendary singer. Paula Patton and Queen Latifah have come to the defense, and this decision process isn’t over just yet. So, a good time to look back.

Here’s a wonderful 1962 performance by Simone of the song that started her career: “I Loves You Porgy,” from the 1935 George Gershwin opera Porgy and Bess. The performance begins with Simone’s own plaintive version of The Strawberry Woman And The Crab Man from Act II:

They’re so soft and fine
And they’re just off the vine
Strawberries

I’m talkin’ about the food I sell
I’m talkin’ about my devil crabs
Devil crabs

She then transitions into “I Loves You Porgy,” with lyrics by Ira Gershwin. The song was originally duetted by Anne Brown and Todd Duncan in the 1935 production and in the 1942 revival of the opera, “I Loves You, Porgy” has been recorded as a solo number by a number of popular vocalists and jazz musicians, most notably Billie Holiday, Nina Simone, and Bill Evans. Nina Simone’s recording of the song (from Little Girl Blue, 1958) was a Top 20 pop hit in the United States in the autumn of 1959. Simone’s version went to number 18 on the Billboard Hot 100 and number 2 on the R&B charts. Most recently, Christina Aguilera performed the song for 2008’s Grammy live primetime concert special.

https://youtu.be/3hXBR4doJDo

Lou Reed’s ‘Walk On The Wild Side’ Phonetically Replicated By Twitter Usernames

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A parodic, profile-punning reinterpretation of Lou Reed’s classic celebration of counterculture, Walk On The Wild Side, is the result of meticulously scouring through the darkest corners of the Twitterverse to phonetically replicate the lyrics (and musical notes) of a song using only the names of Twitter users. Fun stuff.

Think Nathaniel Rateliff Is An Overnight Success? Think Again.

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Paste: How long have you been making music now?
Nathaniel Rateliff: [Night Sweats guitarist] Joseph [Pope III] and I have been making music for 21 years we figured out the other day.

Paste: Long time, man.
Rateliff: Yeah, man. We did the college circuit, which is odd thinking about, given my daughter now goes to college [laughs]. We did a bunch of shit touring. But we also did some shows with people that we really loved like Bon Iver, Low Anthem and Tallest Man on Earth. Mumford & Sons. The Lumineers. Dr. Dog. Delta Spirit. It’s cool over the years how many names you rack up. It’s not that big of a world once you travel around and you end up running into people all the time.

Via

Malcolm McLaren’s son to burn $7 million of punk memorabilia

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Joe Corré, the son of Sex Pistols manager Malcolm McLaren and fashion designer Vivienne Westwood, says he will conduct a public, ceremonial burning of his personal collection of punk memorabilia — valued at $7 million. Corré says he’s protesting the official Year of Punk that’s been declared to celebrate the 40th anniversary of punk. “The Queen giving 2016, the Year of Punk, her official blessing is the most frightening thing I’ve ever heard,” says Corré. “Talk about alternative and punk culture being appropriated by the mainstream.” Corré is inviting other punk fans to add their own memorabilia to the pile he’ll set aflame on Nov. 26, the 40th anniversary of the Sex Pistols’ “Anarchy in the U.K.”

Via

Jazz FM Presents Music Business Seminars For The Jazz Community

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On Sunday, April 10, JAZZ FM will host another of their will-be successful seminar exclusively designed for Ontario’s JAZZ community. It happens from 11:00AM-5:15pm at the Jazz Bistro, 251 Victoria Street, Toronto and with free admission, there’s no excuse if you want to break into the music industry.

This seminar is exclusively designed for Ontario’s JAZZ community, featuring a day of workshops and networking curated to advance your performing, recording and touring careers. Join Top players in the industry, both onstage and behind-the-scenes at Toronto’s fabulous Jazz Bistro where you’ll get the inside track on how to grow and thrive.

After the full day of inspiring and informative workshops and speakers, the Jazz Bistro will host a showcase of young, up and coming artists who will get to strut their musical stuff for industry luminaries.

They’ve lined up some pretty amazing speakers including, Sophie Millman (chanteuse extraordinaire), Richard Underhill (Shuffle Demons), Aaron Davis (Holly Cole), Jane Harbury (one of Canada’s top publicists), Jae Gold (accountant to the stars), Josh Grossman (artistic director, Toronto Downtown Jazz Festival) and Brad Barker (JAZZ.FM91 music director, host of Afternoon Drive).

To register for this free seminar, go here.

‘Killing In the Name’ By Rage Against The Machine Covered On A One-Stringed Guitar Made From A Shovel

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Nobody could ever say Rage Against The Machine’s classic Killing In The Name isn’t impossible to cover. Even with a one-stringed, fretless guitar made from a shovel, it it’s still recognizable in the form of angst and anger.

…and watch how they made the guitar here:

Daniel Ash’s First Album In Almost 15 Years, “Stripped”, Gets April Release Date

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For over 35 years, Daniel Ash (Bauhaus, Tones On Tail, Love & Rockets) has been one of the seminal figures in alternative music; whether for his wildly experimental guitar playing or for his sardonic vocal stylings, or perhaps even for throwing in a bit of saxophone. Having defied categorization by fusing elements of electronica with punk, goth, and glam rock, Ash has earned the status of a living legend.

Stripped (Main Man Records) is Ash’s first studio album since 2002. The album features all “re-takes” done in a style that resembles dub-step, variations of EDM, Atmospheric and Ambient “A-La Brian Eno Meets Bowie”. Avid fans may recognize the songs but in reality they are at times completely different in a genetic recombination passing through a centrifuge

The biggest commercial hit by Love and Rockets was “So Alive” which in itself is a masterpiece. the record went to #3 on the Billboard Pop charts. Legendary producer of the original John Fryer was tapped for the new version of “So Alive” along with “Love Me” and the Bauhaus classic, “Slice Of Life.”

Stripped also features producer Mat Mitchell of Puscifer on the track “Christian Says” and Adam Bravin of She Wants Revenge on “OK This Is the Pops.” Both classic songs are originally from Tones On Tail, the band born out of the ashes of Bauhaus and later became Love and Rockets.

Tracklisting:
So Alive
Love Me
Ok, This Is the Pops
All in My Mind
Too Much Choice
No Big Deal
Slice of Life
Mirror People
Christian Says
Come On
There’s Only One
An American Dream