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Can You Name These Songs From The Past 50 Years?

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DJ Earworm is famous for their annual United States of Pop mashups,, and this time around, took, a few seconds from each of the big songs from 1970 to 2020. How many can you name?

Ready? no peeking…

Songs are listed for the year in which they were most popular

1970 – Jackson 5 – I’ll Be There
1971 – Rod Stewart – Maggie May
1972 – Derek and the Dominoes (Eric Clapton) – Layla
1973 – Stevie Wonder – Superstition
1974 – Kool & the Gang – Hollywood Swinging
1975 – Average White Band – Cut the Cake
1976 – Rose Royce – Car Wash
1977 – Supertramp – Give a Little Bit
1978 – Little River Band – Reminiscing
1979 – Rupert Holmes – Escape (The Pina Colada Song)
1980 – Peter Gabriel – Games Without Frontiers
1981 – Billy Squier – The Stroke
1982 – Grandmaster Flash & The Furious Five – The Message
1983 – Men Without Hats – Safety Dance
1984 – Nena – 99 Luftballoons
1985 – (2 songs)
– Madonna – Crazy for You
– Tears for Fears – Shout
1986 – Janet Jackson – Nasty
1987 – Steve Winwood – Back In The High Life Again
1988 – Def Leppard – Pour Some Sugar On Me
1989 – Milli Vanilli – Baby Don’t Forget My Number
1990 – George Michael – Freedom ’90
1991 – Happy Mondays – Step On
1992 – Red Hot Chili Peppers – Under the Bridge
1993 – Arrested Development – Mr. Wendal
1994 – Beck – Loser
1995 – Dave Matthews Band – Ants Marching
1996 – Eric Clapton – Change the World
1997 – Chumbawamba – Tubthumping
1998 – The Verve – Bittersweet Symphony
1999 – Lou Bega – Mambo No. 5 (a Little Bit Of…)
2000 – Britney Spears – Oops!…I Did It Again
2001 – Sugar Ray – When It’s Over
2002 – Ja Rule ft. Ashanti – Always On Time
2003 – Thalia ft. Fat Joe – I Want You
2004 – J-Kwon – Tipsy
2005 – Maroon 5 – Sunday Morning
2006 – Shakira ft. Wyclef Jean – Hips Don’t Lie
2007 – Rihanna – Umbrella
2008 – Mariah Carey – Touch My Body
2009 – All-American Rejects – Gives You Hell
2010 – Young Money – Bed Rock
2011 – M83 – Midnight City
2012 – Snoop Dogg & Wiz Khalifa ft. Bruno Mars – Young, Wild and Free
2013 – American Authors – Best Day Of My Life
2014 – Jessie J, Ariana Grande, Nicki Minaj – Bang Bang
2015 – Ed Sheeran – Thinking Out Loud
2016 – Justin Bieber – Sorry
2017 – Luis Fonsi ft. Daddy Yankee – Despacito
2018 – Bebe Rexha ft. Florida Georgia Line – Meant to Be
2019 – Post Malone, Swae Lee – Sunflower
2020 – The Weeknd – Blinding Lights

London, ON’s Blu Bones Become First Canadian Band to Offer Song & Video as an NFT

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As the first Canadian artists to release a single and video via NFT, classic rockers Blu Bones cinch the next chapter in their legacy and conquer cryptocurrency, available here.

Recently reunited after more than 25 years, Blu Bones minted a unique non-fungible token for their single, “She’s Got a Way with Love.” Currently on auction via Rariable — the digital marketplace for creator-based NFTs — Blu Bones’ token includes the full mp4 of the animated song and video.

“My 20-year-old has been piquing my interest in Dogecoin recently,” frontman Gord Prior says. “I bought some, and have been following it closely. When you have your son, and Gene Simmons, and Elon Musk talking about the same thing, I figured it was worth paying attention to.”

With an opening bid of five Ethereum — $7,770.29 for the ‘dollars and cents’ types — “this is a new frontier, and it’s really exciting,” Prior adds.

Online activity has steered much of Blu Bones’ activity as of late; the song of note first came to be when Prior decided “it was time to address the endless emails and social media tags we received from fans ‘begging’ for us to either get back together, or record something new,” he shares.

“Most of us never thought of reuniting or doing anything new musically after all of these years,” Prior admits. “But, because of social media over the past decade, we received so many messages from fans and friends all over the world we never knew we had. They’ve wanted something new for a long time now, and this song — and this moment — just felt right. The timing was perfect for everyone.”

While delivery via cryptocurrency and NFT may be a far cry from the ever-lagging dial-up Internet that slowly picked up speed during Blu Bones’ previous hoorah, the track itself is heavily reminiscent of the legacy act’s classic sound. Mixed and recorded by the legendary Matty Green (Dua Lipa, Ed Sheeran, Coldplay, Paul McCartney) at Studio 55 in Los Angeles, California, “She’s Got a Way with Love” features Blu Bones members: Gord Prior, Boris Novosel, Barry Donaghy, Steve Thomas, and Ray Coburn.

“She’s Got a Way with Love” is available now.

Fantastic Four radio drama from 1975 featuring a pre-SNL Bill Murray and narrated by Stan Lee

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Fantastic Four is a short lived 1975 radio drama based on the Marvel Comics series. It adapted the early issues of the comic book by Stan Lee and Jack Kirby and features Bill Murray as Johnny Storm/The Human Torch.

Episodes
“Fantastic Four Meets the Moleman” (based on Fantastic Four #1)
“Menace of the Miracle Man” (based on Fantastic Four #3)
“Coming of the Submariner” (based on Fantastic Four #4)
“Fantastic Four Meet Doctor Doom” (based on Fantastic Four #5)
“Prisoners of the Puppet-Master” (based on Fantastic Four #8)
“Fantastic Four Meet the Incredible Hulk” (based on Fantastic Four #12)
“Spell of the Hate Monger” (based on Fantastic Four #21)
“Return of Doctor Doom” (based on Fantastic Four #16)
“Fantastic Four in the Clutches of Doctor Doom” (based on Fantastic Four #17)
“A Super-Skrull Walks Among Us” (based on Fantastic Four #18)
“At the Mercy of Rama-Tut” (based on Fantastic Four #19)
“The Menace of the Red Ghost” (based on Fantastic Four #13)
“The Submariner Strikes” (based on Fantastic Four #14)

You can listen to them here.

Kate Bush’s Christmas Special From 1979 Can Be Watched Any Time

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Kate Bush presents her Christmas Special in which she performs songs from her first three albums, along with ”December Will be Magic Again”. Peter Gabriel is her special guest. From Kate Bush News, “‘Kate’ is the official name of a Christmas special that was broadcast on BBC television (UK) on 28 December 1979. It was recorded in October 1979 at the BBC’s Pebble Mill Studios in Birmingham, England with choreography by Anthony Van Laast. Part of the show – the sequence for The Wedding List – had been recorded at South London’s Nunhead cemetery, a 19th-century Gothic cemetery with lots of imposing monuments to eminent citizens of that time. The special was a mixture of pre-filmed sequences, dramatic in-studio set-pieces and a handful of straight performances behind the piano.”

Song List:
Violin
Gymnopédie No. 1
Symphony In Blue
Them Heavy People
The Angel Gabriel (with Paddy Bush and Glenys Groves)
Here Comes The Flood (Peter Gabriel)
Ran Tan Waltz
December Will Be Magic Again
The Wedding List
Another Day (with Peter Gabriel)
Egypt
The Man With The Child In His Eyes
Don’t Push Your Foot On The Heartbreak

Popular Song Covers that Were Translated in Other Languages

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By Merissa Moore

Music is a wonderful form of art and entertainment and is quite a unique one, too. Unlike visual art, which is appreciated spatially (not spending a significant amount of time to perceive and understand), music is perceived temporarily (meaning that you need to take some time to appreciate it). Moreover, music creates a vast area for experimentation and creative expression. This is especially evident with songs, the lyrics of which can be translated into many languages, while the music can be appreciated and understood by anybody.

Singing Internationally

The music in the 20th century has exploded with a variety of genres, forms, and names, from jazz and first recorded music to modern famous names like Billie Eilish, and the experimental stage. One prominent stream of music that emerged and garnered a huge audience around the world within the past 100 years or so is popular music or pop for short. Rather than being a genre, pop music represents the whole culture with a multitude of subcultures, which brought a huge impact socially and economically.

One of the most prominent characteristics of pop music is that its listeners tend to create a cult of personality around a certain artist and their works. This is one of the main reasons some pop songs become rerecorded and reinterpreted with time. In fact, many young artists start particularly by playing famous songs or, more simply, covering them. Yet, translating songs into another language requires quite a lot of talent, so you might need to address professional translation services online as you start. Some song covers are even more famous than the originals while cover versions translated to other languages might hit the charts in that country. Here are just a few examples of when translated songs got pretty high in their respective countries.

5 Popular Song Covers that Were Translated in Other Languages

  • “Tutto Nero” by Caterina Caselli.

The 1966 Italian version of the Rolling Stones’ “Paint it Black” (also recorded in 1966) sung by the actress and singer Caterina Caselli has become quite popular in Italy largely because it was also used in the film “Perdono” (“forgiveness” in Italian). This version does not differ much from the original, aside from Caselli’s delivery style, which is more aggressive rather than Jagger’s melancholic, and the song sounds as if Caselli is fighting with a depressive state rather than accepting it.

  • This Love” by Bigbang.

Covering Maroon 5’s iconic hit from 2004 in 2008, a seemingly regular group of young Korean boys managed to blow up the charts in his native South Korea and give a relatively old song a new life. Although the song carries the same name, its lyrics were completely rewritten in Korean by one of the band’s members G-Dragon. This version became so famous, many people wonder who wrote the song in the first place, although both artists have contributed to its fame a lot.

  • “Helden” by David Bowie.

It was quite a popular trend in the past to cover one’s own songs in different languages to ensure greater reach. While Bowie’s German version of his own hit “Heroes” did not chart in Germany upon its release, the song became very popular in the neighboring Netherlands. This version is also regarded well retrospectively with “Helden” appearing as a part of an official soundtrack to the 2019 drama “Jojo Rabbit” directed by the New Zealand director Taika Waititi.

  • Sie Liebt Dich” by the Beatles.

Another old-school song in German covered by the authors themselves. Reinterpreting their early hit “She Loves You” in 1964 specifically for their German audience, the Fab Four managed to top the German charts with “Sie Liebt Dich” entering at 7th position and its A-side “Komm, gib mir Deine Hand” (“I Wanna Hold Your Hand”) at 1st.

  • “Afrika” by Tukuleur.

A decent modern rendition of the 1980s hit “Africa” by Toto, this 2006 version manages to showcase the modern pop interpretation and demonstrate that the song sounds just as uplifting in French. While not becoming famous worldwide, this version of the legendary song became popular in Tukuleur’s native Senegal representing their African spirit at its best.

 

Music of the Soul

It’s true that truly talented people sing with their soul, regardless of language. Music unites people, and those who manage to write songs covering matters that are important can make the whole world sing with them. On the other hand, other talented people manage to rewrite or recompose those songs in their native language and make the song breakthrough in their country as well. All of this only confirms the extraordinary nature of music and its strong and undoubtedly positive influence on our lives.

BIO:

Learning by experience, Merissa Moore managed to not only make herself a career as a professional writer but also become well-known and respected for her works. Every time, she gets to her task, she makes sure to experience what she writes about. That’s why as you read Merissa’s articles, it feels like you gain that experience yourself.

 

Bruno Mars & Anderson .paak As Silk Sonic Release First Single “Leave The Door Open”

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Multiple GRAMMY®Award winners Bruno Mars & Anderson .Paak today released the first single, “Leave the Door Open” from their highly anticipated new collaboration, Silk Sonic. Named Silk Sonic by the legendary Bootsy Collins, Bruno and Anderson have come together to create the setlist of doom. “Leave The Door Open” was produced by Mars and D’Mile, and written by Bruno, Anderson, D’Mile and Brody Brown.

“Leave the Door Open” is available everywhere today along with a very special intro track featuring special guest host Bootsy Collins. The official music video for “Leave The Door Open” is streaming now on YouTube. Silk Sonic’s debut album, AN EVENING WITH SILK SONIC will be available later this year.

Mother Mother Release New Music To Global Audience

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Vancouver-based alt-rockers Mother Mother have released two new songs; “I Got Love” a propulsive, infectious, instantly hummable single and its companion “Stay Behind” a melodic, emotionally charged, airy track. The new music is Mother Mother’s first offering on the heels of their recent explosion on TikTok. After over a decade of releasing music and touring, a new global audience discovered and organically began using the band’s catalogue on the platform, resulting in rapid growth in the millions across all streaming and social platforms, and a Rolling Stone feature on this unique artist development story. The new music was written during the first wave of the COVID-19 pandemic and was produced by frontman Ryan Guldemond and Howard Redekopp, who produced much of the older music that is connecting with the global audience today. Both “I Got Love” and “Stay Behind” are available now.

“Finding these new fans, or them finding us rather, feels like a very generous and surreal gift from the universe,” says Ryan. “It’s always been about the joy of music, and sharing in this joy with others, so we are thrilled to be releasing new music, especially “I Got Love”, to new and old fans alike. This song is about the frequency of love, and less in the romantic sense, but more in terms of unification and interconnection, working as a guiding light in dark times. If people simply enjoy this song, we are so happy and grateful, and if they find any healing in it, slight or profound, we’re utterly ecstatic and deeply humbled.”

The release of “I Got Love” and “Stay Behind” marks the first under the band’s deal with their new label Warner Music Canada, and with international release partners Warner Records (US), Parlophone (UK) and other Warner Music Group companies in Germany, Switzerland, Austria, Australia and more.

Mother Mother, comprised of Ryan Guldemond, Molly Guldemond, Jasmin Parkin, Ali Siadat and Mike Young, have had a whirlwind decade; over 830 million streams and views, more than 14 million monthly listeners and counting on digital platforms and 2 million Shazam searches. The band has made several appearances of late in Billboard’s global Emerging Artist Chart, as well as topping Lyric Find’s global and US lyric search charts. In Canada, Mother Mother have had many top 10 singles on the alternative radio charts, including #1’s for weeks on end and the crown of most airplay for any alternative act at radio for multiple years running. The band has also found success on the road; their most recent pre-pandemic tours include sold-out headline dates across North America, selling out the historic Massey Hall in Toronto, Gramercy Theatre in New York, and a record-breaking five consecutive sold-out shows at the Commodore Ballroom in Vancouver as well as sold out shows including London (UK), Los Angeles, San Francisco, Portland, Seattle, Boston, Santa Ana, Minneapolis, all across Canada, and more.

Brett Kissel Tackles The Question ‘What Is Life?’ On New Album, Out April 9

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Brett Kissel has announced that his fifth major label studio album What Is Life? will be released on April 9. Fans of the 18-time CCMA-Award winning musician get their first taste of what is to come from the next phase of Kissel’s career today, with the release of the album’s first single, “Make A Life, Not A Living”.

“This song is truly representative of where I’m at in my life right now…and probably – or hopefully – where many people are as we’ve adjusted to the challenges we’ve all faced over the last year,” says Kissel. “It’s about doing your best to live your best life – whatever that might be; being in the moment, being present, having gratitude and making the most of the time we have – that’s what is most important.”

On his upcoming album What Is Life? Brett says: “That age-old question is one that I’ve really focused on and centered around for this next phase of my career and for my life. And each and every time, the one thought that is always front and center for me, is doing the best we can with what we have, and making the most of our lives – living the words that I sing in the first song – and I hope that everyone who hears it not just enjoys it, but is also inspired by it.”

If you’re a fan of country music, you probably already know Brett Kissel’s story – owned his first guitar before he was even in school, released his first album before he could even drive – leading to him becoming Canada’s most dynamic country music artist before he turned 30 years old. The farm-and-ranch-raised artist has 15 top 10 radio singles, 3 #1 songs, and a tractor bucket full of gold and platinum plaques. He set records on his 112-date cross-country tour, played over 20 shows with his hero Garth Brooks, and has won 18 CCMA Awards and 2 JUNO Awards.

While fans were still buzzing about last year’s Now Or Never album, Brett started looking towards his next release, but couldn’t get three words out of his head – What Is Life? The search for something “more” weighed heavily on the country star’s mind and with the new album, Brett Kissel invites fans to take a deep-dive with him into songs about love, celebration and gratitude.

Blue Rodeo’s Greg Keelor Announces New Album ‘Share The Love’

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Greg Keelor – the revered musician and songwriter and co-founding member of the iconic Blue Rodeo – has announced that his sixth solo album, “Share the Love,” will be released on April 16.

“Share the Love” is preceded today by the release of the first single “Wonder” (LISTEN HERE). The official music video for “Wonder” has also been released today.

Music fans spent 2020 mourning the loss of live music. We listened to old live albums. We watched our favourite musicians struggle with devices while feigning excitement for an isolated gig in their living room. A few of us went to drive-in concerts. It was certainly not a year in which Greg Keelor imagined he’d be making a new album – an album he would record live off the floor.

Keelor had a solo album, Share the Love, finished in early 2020. It was mastered and ready to manufacture, and he was scheduled to meet his record company for a marketing meeting when the world shut down. For months he laid low, like everyone else. Finally, he figured: fuck it. Everyone else is still releasing records, and it’s not like this is a Marvel movie. So he assembled a band, booked a community centre near his Kawartha farm, had everyone tested beforehand, and spent two days playing the new material live—physically distant, in a semi-circle, no headphones—while shooting a promotional film and rolling tape. It felt good—really good, in fact.

Then a funny thing happened. Listening back to the audio mixes, Keelor thought it was far superior to the finished studio record. There was a magic here. No surprise: for Keelor and likely everyone else, this was the longest period in their life when they’d gone without playing music with others. Everyone had been pent up. With only two rehearsals, they brought the material to life in ways Keelor couldn’t have imagined. Harmonious, in every way.

He soon made the decision: this should be the album. Leave the studio version on the shelf. Share the Love was reborn.

What might’ve been a morose acoustic album instead blossomed into an electric rock record with delicate acoustic textures and a psychedelic tinge. It spans many moods, and its success has as much—if not more—to do with the musicians in the room than the songwriter and bandleader. “It’s unified in a way a lot of my records may not have been—or if they were unified, it was only by gloom,” laughs Keelor. “I’ve made lots of records in a studio situation, and I’m happy with what ends up being finished. But there’s something about a group of people who for two days just sit and play music, concentrated on these songs, and just feeling the love. It’s magical. You can feel their presence, the currents running between the musicians. It’s a tangible feeling, a visceral thing.” That’s a rare thing for any album made in this decade, never mind one made during a pandemic.

Keelor considers the whole experience a gift: songs borne in darkness that, through a circuitous route, were brought to the light and resulted in such a joyous experience. “There’s no better feeling for me than when a song is coming through me,” he says. “The energy that is the furnace of it, the sorting out of the words of it, the yoga of singing and breathing, the vibration of singing. Then that song acts like a beacon and it attracts people and brings them into your life: musicians, other artists. It’s an amazing thing. It’s just a vibration that connects to the thing that connects us all, that river of love. I’m always humbled that these songs come through me and I’ve been truly lucky enough to make a living from them.”

Alan Doyle Announces New EP ‘back To The Harbour’ Out May 21

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Alan Doyle will release a new EP, Back to the Harbour – a collection of songs to celebrate his love of folk music – on May 21. The album was produced by Joel Plaskett at The New Scotland Yard studio in Dartmouth, Nova Scotia. Featured on the album with Doyle are Kendel Carson and Cory Tetford from his touring band along with Plaskett.

Back to the Harbour features three original songs plus unique spins on three traditional classics: “Back Home on the Island” by one of Newfoundland’s most popular musical groups Wonderful Grand Band; “Let it Be Me” popularized by legendary duo The Everly Brothers; and the first single, the shanty “Leave Her Johnny.”

“This shanty of a ship’s last day is one of the dozen or more songs I don’t remember learning,” Alan says of “Leave Her Johnny.” “I realize this may seem odd to some, as in most parts of the world people have one or two songs they don’t remember learning, like Happy Birthday or Silent Night. But in Newfoundland we have so many songs that are just part of our language. I doubt many from around here could tell you when they learned I’se The B’y or Lukey’s Boat. We just know them.”

Back to the Harbour follows Rough Side Out, Doyle’s chart-topping country album released last February, and Songs from Home, a collection of music from Doyle and an all-star lineup of Newfoundland artists, which was released in November. Doyle – the songwriter, producer, actor and author – is a 12-time JUNO Award nominee for his solo material and work with his iconic band Great Big Sea. In 2018, he was awarded the Order of Canada for his contributions to the musical traditions of Newfoundland and for his commitment to numerous charitable initiatives. His most recent book, All Together Now: A Newfoundlander’s Light Tales for Heavy Times, was released in November 2020 and quickly became a national bestseller.